I’ve lived in Texas since the summer of 1965—that’s a whopping fifty-eight years, well over two thirds of my life. That first summer saw the flourishing of the “Born in Texas” movement, and shopping malls, which we frequented then, had kiosks with T-shirts bearing that slogan and others, like, “I wasn’t born in Texas, but I got here as soon as I could.” You could buy certificates that certified that you were a native Texan, although of course it would have been easy to cheat. In a few years, by the time I had children and wanted T-shirts for them, the craze was over.
People in Texas thought I
talked funny with my Chicago flat speech, but after a year, when I went home or
talked to a relative back home, they all laughed at my southern accent. To this
day, my kids say my accent depends on what I’m talking about—If I am, as I
frequently have in the past, talking about author Elmer Kelton, one of my
heroes, they say I get a cowboy twang.
Much of my career—as an
author, as director of the TCU Press—revolved around Texas, and over the years I
began to feel like a native Texan, even if it was a bit of a lie. Still
folklorist Joyce Roach and I had a dog-and-pony show we took to meetings and
other places—once even performing for an elite group of big donors at TCU. Joyce
talked about the glories of being a fifth-generation Texan. My talk was titled,
“Notes from an outsider.” I knew my place.
Not every book I’ve written
has been about Texas, but a high percentage of them have. I’ve been best known for
writing about women of the American West—Elizabeth Bacon Custer, Jessie Benton
Frémont, cowgirl Lucille Mulhall, and Etta Parker of the Hole in the Wall Gang.
But there were lots of Texas titles—a book about Elmer Kelton, books about
Texas food from chili to great chefs, and most recently, three mystery series
set in Texas. Yes, I claimed my credentials as a Texas writer.
But in the last ten years, a
feeling for Chicago—I’m not sure how to describe it, but perhaps affection is a
good word—has increasingly taken a place in my thinking. Years ago I wrote a
y/a novel, I Wish I Lived at Eleanor Lee’s House, about something that
really happened when I was a teen. I was then published by a small Texas press,
and the publisher had no market for a Chicago title, so I put it aside. I’ve
recently gotten it out and reread it with some interest.
But it was The Gilded Cage,
a fat historical about Bertha Honore (Cissy) Palmer, wife of hotelier and
robber baron Potter Palmer, that first renewed my interest in Chicago. I loved exploring
the complex history of the city in the late nineteenth century, from the Great
Fire to the Columbian Exposition, with the Civil War, the Haymarket Riot, Pullmantown,
and a myriad of fascinating subjects.
None of that, though, explains
why I set a new series of mysteries in Chicago. What may have sparked my more
intense identification with the Windy City is a trip there with all four of my children.
We toured the neighborhood where I grew up and the University of Chicago where
I went to school, gazed at the lake, ate in fine restaurants, and took the
historical tour at the Palmer House. I fell in love with the city all over
again.
That may be behind the Irene
in Chicago Culinary Mysteries though I cannot tell you where the characters
came from. They were just there one day: Irene, the domineering, demanding faux
French chef who claims a Cordon Bleu background she does not have, and Henny
James, her apprentice, who tells the stories in a slightly snarky tone of
voice.
Now, suddenly or so it seems to
me, there are four Irene mysteries—Saving Irene, Irene in Danger, Finding
Florence, and Irene Deep in Texas Trouble. They haven’t set the
bestseller lists on fire, but they’ve earned respectable stars on Amazon and enough
people have commented that I think someone out there enjoys Irene’s shenanigans.
A couple of months ago, I
started a new Irene book—Missing Irene—and then for reasons unknown to
me I set it aside, tried to write a bit on a memoir, fiddled and procrastinated
and didn’t know what I was doing. Tonight I went back and read what I have of
that new manuscript, and guess what? I rather liked it. Maybe I’m getting
bolder but it will revolve around a case of incest. I think for the time being
I’ll go back to it. I hope you’ll read it one day.