Blatant self promotion to lead off a post about cozy mysteries
with the cover of one of my own, but Dame Agatha
doesn't need the sales, and I do.
Happy
Birthday today to Dame Agatha Christie, the queen of cozy mysteries. Christie,
who was born in 1890, died in 1976 at the age of 85, having published sixty-six
mysteries, fourteen short story collections, six novels under a pseudonym, and
the world’s longest-running play, The Mousetrap, which played in London
from 1952 until 2020. In my world of mysteries, she’s like a mother figure, with
a major award named after her.
For
many mystery authors, the occasion of Christie’s birthday sparks a nostalgic look
back at the books that drew us to the genre. No surprise that many cite Nancy
Drew as their inspiration, but there was also Cherry Ames, the nurse, and Trixie
Belden, detective. I remember, before that, the Bobbsey Twins and the Little
Colonel Stories—no, they’re not mysteries but they were books that fed my early
interest in reading. And after Nancy Drew, I was drawn to the New Orleans/Mississippi
River/plantation life novels of Francis Parkinson Keyes.
Confession:
I never have read much of Agatha Christie. I am not as much drawn to the
British mysteries as some readers are. Sometimes, because of my love of
Scotland, I try to read some of the better-known Scottish mystery authors, but
they tend to be gloomy—must be all that dark and dreary weather in the Highlands.
There are a few cozy mysteries with a Scottish background that I have enjoyed—the
Paislee Shaw mysteries by Traci Hall (a single mom eking out a living with a
yarn shop) and Paige Shelton’s Scottish Bookshop Mysteries.
What I
have read and thoroughly enjoyed is a book about Dame Agatha—and the time she
disappeared for two weeks. I recommend The Mystery of Mrs. Christie, by
Marie Benedict.
Pretty
much though, I’m a fan of American cozy series. Although some authors, more
likely thriller than cozy, are finding success with stand-alone novels, the
conventional wisdom in mystery circles is that you draw readers to the
characters in your series so that they want to read more about them. I have
read and enjoyed most of Sue Grafton’s Alphabet Mysteries, several of Margaret
Truman’s mysteries, and most of Ellery Adams’ Book Retreat Mysteries. Some of
my favorite series have ended—Julie Hyzy’s White House chef mysteries and her
Manor House Series were both work-for-hire, and then the publisher shut them down,
Hyzy did not own the rights to the characters—a blow to many readers. These
days I jump with delight if I discover a Goldy Schultz book I haven’t read or a
culinary mystery by Diane Mott Davidson. My current favorite series are Susan
Wittig Albert’s China Bayles herbal mysteries and Ellen Crosby’s Wine Country
Mysteries.
I have
some mysteries on my to-be-read (commonly known as TBR) list—Leslie Budewitz’s Bitterroot
Lake, her venture into thrillers (I like her Spice Shop Mysteries and Food
Lovers Village Mysteries) and Vicki Delany’s new Deadly Summer Nights, set
in a Catskill resort.
I’ll need those books because this was to be a
busy week, but I am wondering if I’ve offended the gods of calendars or
something. All the fun things I had scheduled have cancelled, even my neighbors’
weekly Tuesday happy hour fell through. Tonight, I was to go to a birthday
celebration with three longtime and dear friends, but one thinks she was
exposed to Covid and cancelled, so we postponed until we could all be together.
Tomorrow I was to have lunch with Melinda, who worked with me at TCU Press and
who is a special person, but her elderly mom fell and broke some bones. What
was not cancelled? A trip to the Department of Motor Vehicles to get an official
identification card now that I no longer have a driver’s license. Sort of like
going to the dentist.
How’s your
week going?
2 comments:
Judy, I hope the trip to Montana with me -- on the page -- is a good consolation for all the cancelled events. Thank goodness for armchair travel, right?
Leslie, I started Bitterroot Lake last night, and it kept me up far too late. Not only was I drawn into the plot, but I really did feel like I was in Montana. You used detail--and your knowledge of the land--so well to create the scene. As a Montanan, you might be interested to know that I am right now working on a project I hope will grow out of a batch of letters from Dorothy Johnson to me, written in the late seventies and early eighties. They give a great picture of your life and work in the last years before her death. I was privileged to count her as a friend.
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