Trees, flowers, and memoirs

    

My flowers and Jordan's Little Red Riding Hood basket

The neighbors behind my cottage are adding a screened porch to their house, a pool, and a cabana/guest house. Behind me is close—the cabana will maybe be ten or twelve feet from the wall of my cottage. These neighbors are good, responsible citizens, and they have bent over backwards to assure I am not disturbed. I am not. The only time noise would bother me is when I want to sleep in the afternoon, and my bedroom is pretty much like a cave.

 But there is one noise that sounds worse than scratching on a blackboard to me, and that’s the saw that tree trimmers use. So this afternoon, just as I lay down to nap, someone started to take out a whole tree. Have you ever tried to sleep with that high-pitched whining? I closed the bedroom doors, confining Sophie with me. That worked for about two seconds, and then she protested. I think she must be claustrophobic, because when I opened the sliding door into the kitchen and told her she could do what she wanted, she settled down and slept next to my bed. Serendipitously, the whining noise stopped, and I did get a nap.

Jordan made up for my interrupted nap by bringing me flowers. She stopped at Central Market for the feta I need tomorrow. After declaring she didn’t want to run around looking for a lot of things, she confessed she overbought—including flowers, Cotswald cheddar, a new flavor of yogurt, and other delicacies.

She was cooking dinner tonight since I wanted to attend a six o’clock Zoom meeting, but all the ingredients for supper—chicken/pesto pasta—were in my fridge. So she loaded up a basket and announced, “I am Little Red Riding Hood.” The picture above combines her basket and the flowers she brought me.

The Zoom meeting tonight, sponsored by Story Circle Network, featured two authors—one a novelist, the other a memoirist, talking about the requirements, advantages, and drawbacks of each genre. I have, as I’ve mentioned, been interested in memoir in a sort of distant way. I always thought a memoir was the story of your life. My first novel, After Pa Was Shot, was fiction based on a memoir by the mother of a friend. The woman, probably in her eighties in the fifties or sixties, sat down at a typewriter, wrote “The Story of My Life,” and created a fascinating manuscript. But these days some people are writing several memoirs. The thought today is that memoir covers one episode, say three to five years. I can’t wrap my head about that. I want to look at the whole of my life put together. One author tonight said if you write about your life, as Michele Obama has done, it’s biography—I would correct that to autobiography. But the difference to me is that autobiography recites the facts; memoir invests those facts with emotion.

Both authors have written books about adoption, which should have hit home to me—but didn’t, because their experiences were so different. Julie McGue’s memoir, Twice a Daughter, is about her experience as an adoptee seeking information about her birth family so that she might have some family health history. The Sound Between the Notes, by Barbara Lynn Probst, is a novel based on her experiences with her adopted daughter and the daughter’s affinity for music and the health history that intervened. One great line: “You can’t create music when you are angry.”

But both are about searches for birth parents, and that’s foreign to me. My four children have never expressed any desire to search, even in the face of such health concerns as epilepsy, Crohn’s disease, and possible effects of maternal drug use. I suppose the two authors wouldn’t understand my feelings—Probst, for instance, knows her daughter’s birth mother. For me, I am more than content that my children are mine. I am grateful to their birth parents, aware of the sacrifice they made for the child’s sake, but I see no need to share them. We are an unusually close and happy family—no small trick with four adopted children and a mostly single mom.

Memoir to me would involve what one author tonight called “working through stuff.” I would want to recall my life, to figure out its patterns. I’m not fooling myself that the world is waiting breathlessly for this story. If I write it, it would be for me—and perhaps for my children.

Enough. I’m going to read a mystery and forget the thornier problems of life in general or writing in particular.