Wednesday is usually my evening to post a guest blog in an effort to introduce blog readers to some authors they might otherwise not find. The author I had on my schedule for Wed., February 12, never sent anything, so I decided on some BSP (blatant self promotion) to highlight one of my books you may not have found yet. But then I went out for dinner with a friend last night, had a lovely, relaxed evening and an extra glass of wine, and lost my ambition for writing a blog post. So here I am on Thursday morning with Wednesdays blog. Maybe there should be a drum roll--please welcome, uh, Judy Alter!
Short stories are hard for me to write. Mostly I've written them when someone said they were putting together an anthology and would I please write a short story with such-and-such theme. Then I went into panic mode, unless inspiration hit me. Once a friend said she was putting together stories about either women or love in WWII (can't remember which) and I demurred, couldn't do it. Then one afternoon I hard this woman's voice:
"War is unforgiving, they tell you. Old women who had lived through the first big war shook their heads and told me it'd take my boys and I could only pray to God they'd come back. But war took my daughter too, and that's a bitter pill to swallow, even now all these years later." That voice opens "An Old Woman's Lament about War."
On the contrary, when I was asked to write a piece for an anthology about guns, I was stymied. Fortunately a friend is an expert on handguns and introduced me to derringers, those "ladylike" guns. The result was "Pegeen's Revenge."
Two of my favorites came to me spontaneously. I wrote "Sue Ellen Learns to Dance" after I saw Dorothea Lange's 1936 photo of a woman and her children on the dust-blown plains. "Fool Girl" was inspired by a memoir in which a young boy was sent out on the Texas prairie to look for the work horse that had escaped. Terrified of Indians, he rode farther than a work horse could have gone. I made the boy a girl--remember, I wrote about Women of the West--and made the incident life-changing for her.
My short stories are collected in Sue Ellen Learns to Dance and Other Stories, available for Kindle and other e-platforms for only 99 cents. I think it's a bargain, but then I'm prejudiced.
The collection was first published by Panther Creek Press, and I'm eternally grateful but a friend who has a retail business said the cover was too scholarly to attract her customers. It features the photo behind the Sue Ellen story. When I put the collection on the web, I had a new cover designed, but I can't tell it's made much difference in sales. What do you think?
Short stories are hard for me to write. Mostly I've written them when someone said they were putting together an anthology and would I please write a short story with such-and-such theme. Then I went into panic mode, unless inspiration hit me. Once a friend said she was putting together stories about either women or love in WWII (can't remember which) and I demurred, couldn't do it. Then one afternoon I hard this woman's voice:
"War is unforgiving, they tell you. Old women who had lived through the first big war shook their heads and told me it'd take my boys and I could only pray to God they'd come back. But war took my daughter too, and that's a bitter pill to swallow, even now all these years later." That voice opens "An Old Woman's Lament about War."
On the contrary, when I was asked to write a piece for an anthology about guns, I was stymied. Fortunately a friend is an expert on handguns and introduced me to derringers, those "ladylike" guns. The result was "Pegeen's Revenge."
Two of my favorites came to me spontaneously. I wrote "Sue Ellen Learns to Dance" after I saw Dorothea Lange's 1936 photo of a woman and her children on the dust-blown plains. "Fool Girl" was inspired by a memoir in which a young boy was sent out on the Texas prairie to look for the work horse that had escaped. Terrified of Indians, he rode farther than a work horse could have gone. I made the boy a girl--remember, I wrote about Women of the West--and made the incident life-changing for her.
My short stories are collected in Sue Ellen Learns to Dance and Other Stories, available for Kindle and other e-platforms for only 99 cents. I think it's a bargain, but then I'm prejudiced.
The collection was first published by Panther Creek Press, and I'm eternally grateful but a friend who has a retail business said the cover was too scholarly to attract her customers. It features the photo behind the Sue Ellen story. When I put the collection on the web, I had a new cover designed, but I can't tell it's made much difference in sales. What do you think?
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