Showing posts with label #plotting. Show all posts
Showing posts with label #plotting. Show all posts

Monday, April 27, 2020

How to answer a grandson, an episode with Sophie, and my compulsive nature




When a grandchild comes to you and says, “I need a favor,” the proper answer is not, “What?” or “Why?” or “How much?” When Jacob made that announcement this morning, I said, “Okay.”

“Stand up,” he commanded. “I’m going to take your picture.” And he did, saying it was for school. I never got more clarity than that. When he showed it to me, my thought was that, except for the quarantine haircut, I don’t look like I’m suffering in this life of isolation. And then I remembered a time way back, when he was maybe five, that he insisted on taking a picture of me. So here are Jacob’s two pictures. I’m considerably younger in the early one but maybe not quite as full of smiles.

The problem with Sophie, I decided today, is that while I think of her as a medium-sized dog—thirty pounds—when excited, she has the shrill bark of a small dog. And she was excited today: the yard guys came. She always barks, and it didn’t used to be a huge problem, because they came in the late afternoon, and I just kept her in the cottage and endured the barking for twenty or thirty minutes. But now they come right when I want to nap.

Today I had a brilliant idea: I locked her in the bedroom with me. Fail! That just meant that I was confined with a barking dog in a small room that acted as an echo chamber. Then she decided she could best protect me if she got on the bed, which was okay for a few minutes because she was still. But when a slight noise alarmed her, she stood on the bed and barked, which rocked the whole bed. Then for a blessed short while, she lay quietly on my feet, and I dared not move.

I was dozing, happily plotting a scene in my mind (napping is when I do my best thinking about whatever I’m writing). Then she came unglued again I gave up and let her out of the bedroom. She proceeded to bark frantically for about twenty minutes.

Suddenly there was quiet. I tried to recapture the plotting moment, but it didn’t work. Got up reluctantly and began a different kind of plotting—grocery lists with Jordan.

Tonight a good friend of Jordan’s, someone I’m fond of, came for a distanced happy hour, but I begged off, pleading that I had promised to make German potato salad (Christian’s favorite) to go with our burgers tonight and I had a lot to do.

That sense of having so much to do has only come over me recently, but I find it puzzling. Yes, I am working on a new mystery, but I have no deadline. I am in every sense self-employed. But today I wanted to finish up my newsletter, do grocery lists with Jordan, write a blog, make the potato salad, and, I wish, make progress on the novel. None of it must be done today—except that in my old compulsive mind it does.

Jordan wanted to talk grocery lists this morning, and I put her off with the explanation that I was doing something I really wanted to do. It occurred to me that, yes, the urgency is in my own mind, but it’s not because I’m compulsive. It’s because I have it in my head where these projects are going, what I want to say, and I want to commit it to the computer before it leaves my brain. Could I call it inspiraton?

A lot of people would still say I’m compulsive. Writers will understand.

Monday, November 02, 2015

A writerly day

Today I spent the day in the writerly world, answering emails, reading list servs, and most important to me: writing the first 500 words of a new novel. I’d been stuck in a quandary: try to market a completed manuscript which hasn’t so far received much interest, picking up the novel I abandoned in mid-stream, or play with a new idea. It’s an idea I’m not ready to make public, but I shared it with a small writers group, women whose opinions I respect highly, and got some enthusiastic responses. So two ideas went through my brain, and I wrote 500 words.

Let me say that’s not the ideal way to start a mystery. I know writers who do detailed plots, charting out not only chapters but scenes, making sticky notes about characters. When they put pen to paper they know where they’re going. When I put pen to paper I have no idea who’s murdered, who does it. Mostly at this point I have a setting, which takes Kate Chambers away from her Blue Plate Café to far West Texas. The rest will come as I write—I hope.

I realized immediately that my 500 words were like an outline of the first chapter—missed so many chances to add details and the like that might make the situation and the characters come alive off the page. So tomorrow I’ll go at it again. Nice to be writing again.

Meantime, Murder at Peacock Mansion should be live in a day or two on Kindle and other platforms. Print will follow shortly.

In line with country café cooking, I just had a fried pork cutlet with cream gravy—so good, so rich, so heavy. I’m ready for bed at an astoundingly early hour.