Showing posts with label #fictional characters. Show all posts
Showing posts with label #fictional characters. Show all posts

Saturday, October 22, 2022

Thoughts on fiction and fictional thoughts

 




There’s a new website, shepherd.com, where authors are encouraged to post about their favorite books in categories of their own choosing. Some choose books by topic, others by author. There’s a page, for instance, for the best five books with quirky detectives from around the world, and another for novels that get you inside the minds of historical figures. How about a page for books on good and evil? Or the best books for yoga teachers who feel stuck in a rut? Something for everyone, and a great site for browsing.

I submitted a page (five books plus one of my own, per the rules) on outrageous cozies, and it went live this week. Traditional mysteries have many sub-genres--the sci-fi mystery, the thriller, the hard-boiled/noir, the police procedural, the historical, and of course the cozy. Even within the cozy, there are subdivisions, like the noir cozy which is a real contradiction in terms. So why now the outrageous cozy?  I don’t know that it is yet a recognized sub-genre, but I’m working to make it so. The graphic above is for my page, and the link is https://shepherd.com/best-books/outrageous-cozy-mysteries. I hope you find some outrageously good reading in those books. Of course, I included the first of my own outrageous series, Saving Irene.

A friend in a small, online writer’s group recently commented that it amused her that I speak of my characters are though they are real people—sort of like they’re in the same room with me. It’s true, I feel that way about them. Irene and Henny, the narrator, live with me all the time when I’m working on one of their books.

Currently, Irene and her French entourage—Chance, Jean Claude, and daughter Gabrielle—are in Fort Worth for Christmas, visiting Henny’s family. The mere idea of putting the diva chef, with her faux French ways, in the middle of Cowtown is alive with possibilities, and I’m having fun. In line with my political beliefs, I supported a fund-raising campaign titled, “Mystery Loves Democracy.” (Two years ago, “Mystery Loves Georgia” contributed a hefty amount to the campaigns of senators Joel Osoff and Raphael Warnock.) As part of my commitment, I auctioned the right to name a character in my work-in-progress. The woman who bought the right chose to name the character after a friend, and so Kathy Fenton entered my story.

I was about to introduce Kathy as a character when I realized her backstory had already been told. All I had to do was go back and change her name. Once that was done, Kathy added yet another complication to the plot and another name on the list of possible murder suspects. (For me, that’s sort of how writing goes--as I write, ideas pop into my head, and they generally work better than if I had planned them ahead.)

But honest to gosh, when I renamed that earlier character, I thought to myself, “I must remember to tell Henny that I’ve made that change.” I had to slap myself upside the head to remember Henny is a fictional character and only knows what’s on the page. She won’t remember that first name at all. But that’s how real Henny had become to me.

This morning Jean sent me a link to an article about the reading habits of Ken Burns. His reading is so wide and so deep that it’s humbling. I realized once again it’s a tiny, tiny corner of the book world that I inhabit. Burns has a great familiarity with the Russian writers, refers casually to people I’ve never heard of, and cited a long list of those that I have never read but should have, such as Gabriel García Márquez. I was more comfortable with his admiration for Mark Twain and Willa Cather—he was getting closer to my comfort zone. I can’t help recalling that my first adult novel, Mattie, was panned by one reviewer because Cather had told the story better. I didn’t know enough to know my work was derivative, but I still think any comparison to Cather is a compliment.

And speaking of American greats in the literary field, this is a bonus week, with new books due from Cormac McCarthy (The Border Trilogy, No Country for Old Men--it’s been a long time since he had a new book), mystery writer Lee Child (the Jack Reacher books), Jude Deveraux (historical romance, including the many volumes about the Montgomery/Taggert family), and Patricia Cornwell (crime writer best known for books featuring medical examiner Kay Scarpetta). Surely something for every taste from these literary lions.

 

 

Thursday, March 20, 2014

The sagging middle

No, I'm not referring to my middle though, alas, it is sagging these days. But authors talk about the sagging middle--when you get to the middle of a work in progress and you sag, it sags, you don't know where to go. It happens to those who outline methodically and to us pantsers who have a rough idea of where we're going and leap into it.
Well, I have not even reached the middle, and I'm sagging. At 16,000 words. I think my method that I crowed about--1,000 words a day--is making it sag. I find myself thinking, "Well, what trouble can I get Kelly into in a thousand words today?" The result is an episodic work in which I'm not seeing the forest for the trees. There's no overall controlling sense in the story, even though I know there's a good basic story there to be told.
And in trying to get Kelly into trouble, I've let her become a victim, rather than the person she's been, ready to fight bear for her family and her neighborhood. At three in the morning the other night I decided that she's hopelessly passive, and I'm bored with this new Kelly--which means readers would be bored.
So I've got to start all over, give Kelly some life, work in Keisha's story, for I figured this would be Keisha's book, just as Ms. Lorna and Mike had their books in Trouble in a Big Box and the forthcoming Deception in Strange Places (due out at the very end of July).
So here I am, waking between two and four in the morning, because the dog has a new habit of wanting to go out then, and  lying awake wondering about Kelly and her current stalker and how I can work  it out. Oh, my.
For those who think writing is easy, I beg to differ. It's sometimes like pulling teeth. The words don't come easily nor do the ideas. And I admit I am fully capable of distracting myself with a manuscript I'm to edit, a newsletter to put together, Facebook, another mystery to read--hey, that's educational, right?
For those who haven't read any Kelly O'Connell Mysteries, this is probably pretty incomprehensible. I can only hope you'll decide you have to meet all these characters.