Please welcome my
Wednesday guest, Marni Graff, the author of the Nora Tierney mystery series,
set in the UK. The
Blue Virgin, described below is first.
Second is The Green Remains, which follows Nora’s move to Cumbria where
she’s awaiting the publication of her first children’s book and the birth of
her first child. When Nora stumbles across the corpse at the edge of Lake
Windermere, she realizes she recognizes the dead man. Then her friend and
illustrator, Simon Ramsey, is implicated in the murder of the heir to Clarendon
Hall, and Nora swings into sleuth mode. The Scarlet Wench finds Nora once again involved in an
investigation when a theatre troupe arrives at Ramsey Lodge and a series of
pranks and accidents escalate to murder.
Graff
is also co-author of Writing
in a Changing World, a primer on writing
groups and critique techniques. She writes crime book reviews at www.auntiemwrites.com
and is Managing Editor of Bridle Path Press. A member of Sisters in Crime,
Graff runs the NC Writers Read program in Belhaven. She has also published
poetry, last seen in Amelia
Earhart: A Tribute; her creative
nonfiction has most recently appeared in Southern Writers Magazine. All of Graff’s books can be bought at
Amazon.com or at http://www.bridlepathpress.com
and are available as eBooks.
****
Choosing to set my mystery series in England was a
deliberate choice, yet one I knew would present challenges. An admitted
Anglophile, I always feel I’m coming home when I visit the UK, which is
frequently but not as often as I’d like!
My American
protagonist is Nora Tierney, a Connecticut-born writer living and working in
England. While I have Nora appropriate common Brit words into her language,
like “loo” for a toilet and “buggie” for a stroller after years of familiarity,
her voice has to remain distinctly American versus the other characters in the
books. I read UK authors continuously to keep the cadence and slang of that
country in my ear for my other characters. The influence of the Golden Agers I
read in my teens sometimes has me using outdated slang, so I use my English
friends as beta readers who help me to pump up the “Britspeak” and keep it
modern.
Because of my lifelong affinity for England and its
environs, I originally choose Cumbria, the county containing England’s glorious
Lake District, as the setting for the opening of the Nora Tierney series. My
visits to the land of Wordsworth and Beatrix Potter gave me a fascination for
the area, one of the most beautiful natural areas I’ve ever seen.
Then life intervened with an
opportunity to study at Oxford, and I found myself in the hallowed halls of
Exeter College, studying Wilkie Collins and Daphne Du Maurier, two of my
favorite writers. Sworn in as a reader at the Bodleian Library, I was able to
read the original broadsheet reviews of The
Woman in White.
Oxford is a jewel of a town
encircled by the lush green countryside of the Thames Valley. Its mellow
limestone “dreaming spires,” as described by nineteenth-century poet Matthew
Arnold, change color with the light and weather. Magnificently preserved
architecture reflects every age from Saxon to present, all exhibited somewhere
amongst the federation of forty-odd independent colleges which make up the
University of Oxford.
This mix of “town and gown” is noticeable
at once when visiting: The university has its dons lecturing in sub fusc, scouts bringing students
morning tea, an historic tutorial system, and those forbidden grassy quads
(with their tradition of only being walked on by dons), while the town has its
own muddle of traffic-choked streets, packed with bicycles and pedestrians,
pubs and shops. Both exist alongside green meadows with grazing cattle and
rivers teaming with punters and canal boats.
Small wonder then that I fell in
love with the place. I could picture Nora here, too, and suddenly the idea for
a new mystery, one that had Oxford at its heart, took over. I set aside my
original idea for a Lake District manuscript and started writing The Blue Virgin, a combination of cozy
and police procedural. Trying to clear her best friend, Val Rogan, of the
suspicion she has murdered her partner, Bryn Wallace, Nora quickly becomes
embroiled in the murder investigation, to the dismay of DI Declan Barnes, the
senior investigating officer. And did I mention Nora is four months pregnant
with her dead fiancĂ©’s baby?
I took great care to be accurate in
describing Oxford’s history and the colleges, as well as the various locations
and sites my characters visit. After all, this is the town that gave the world
Lewis Carroll, penicillin, two William Morrises, and graduates spread across
the centuries whose influences are still felt. And Oxford exudes mystery, as
any Inspector Morse fan can tell you. I carefully described favorite student
pubs, shops, and the wonderful Covered Market and tried to give the reader the
sense of that ancient town, and how living in it affected Nora’s actions.
When I was writing the book, I kept
an enlargement of the town map taped to my desk--no sense describing a cobbled
lane if I had the name wrong. I referred to research material, as well as my
photos, so in the book my characters move within the real town, have tea at The
Parsonage, and brunch at The Randolph Hotel. Only a few settings, such as
Nora’s flat, are fictional. I found a local contact in the guise of the head of
Oxford’s CID unit. It’s always amazing how helpful people will be to writers
for a promise of getting their name in the acknowledgments page!
When I left Oxford, I stayed in the
Lake District for an additional week to gather information for Book Two in the
series and took updated pictures to refresh my memories from my previous trips.
I’d chosen the village of Bowness-on-Windermere on the shore of England’s
largest lake for the next book and I talked to shop owners, visited pubs, and
wrote down some of the Cumbrian slang I heard.
By the time The Blue Virgin was in print, I had started writing The Green Remains, where I’d moved Nora
to that Cumbrian setting. My local contact was a newly retired police officer
from the Kendal Station, Cumbria Constabulary, and here I struck gold.
Steve Sharpe grew up in the area,
and is something of a local naturalist and fisherman. Besides answering my questions about policing
and proper titles for everyone from my detective to the pathologist, he gave me
wonderful information about things like: what is in bloom in autumn? What birds
would be around? What is the weather like at that time of year? Steve continued
to answer my questions for the third book in the series, the recently published
The Scarlet Wench.
But I’m turning to another friend
for the book I’ve just started to write. The
Golden Hour finds Nora at a book signing in Bath for the children’s books
she writes, and this time a friend living just outside Bath in the Wiltshire
countryside will do the honors and be my contact for the town where Jane Austin
once lived and where Peter Lovesey has his detective Peter Diamond do his
policing.
Wherever I send Nora next, I’ll
travel alongside her, visiting my favorite places in my mind and through my
photos, checking facts and weather, verifying seasonal issues and local police
procedures through my email contacts. It’s a great way for me to get in a visit
to my favorite place without ever leaving my desk, one of the nicest perks of
being a writer.